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a
The Plagues
I
was
only
a
featherer,
the
brown
birds,
when
of
a
number
I
was
also
called
to
visit
the
plagues
to
the
Booking
towns.
And
when
ten
of
us
were
brought
to
Him,
I
hid
behind
them
in
the
door;
but
how
did
I
offer
my
humility?
He
said
to
us,
“You
shall
make
caries”;
“You
shall
cause
brittleness”;
“You
shall
confuse”;
“You
shall
take
the
skin”…
There
was
a
row
to
Him,
of
beautiful
quarterfoils.
But
how
did
I
stand
up?
He
said
to
me,
“You
shall
affect
the
heart.
And
two
and
three
shall
go
together,
even
five
and
six,
but
not
you.”
And
it
was
then
reasoned
among
them
that
I
should
go
first.
I
did
put
out
from a soft hill, with everything behind me.
I
trust
upon
You,
even
to
violence.
But
what
do
I
have
now
at
the
gate,
what
voice
have
I,
that
I
should
not
take
even
one,
while
nine
other
vengeances,
who
are
also
kind
men,
wait without the town and starve?
A Pot of Glue
If far too long
you've waited on
your circus pay
a toft manqué
the right bus line
from Water to Wine
and all undo
both old and new
when love is not
the spoon or pot
remember instead
together in bed
our neat Grace
of paper and paste.
No One Comes to Vjolscher Anymore
The Bombing Survey written and the beautiful Spring imminent,
I went to the Vjolscher Museum of the Mirror
before they boxed at last the Algus Fright Collection
and all the others once that returned a reflection
but fell in love and do not work anymore.
No one can prepare to forget and that is why I went.
The Palace Mice
The Mice are in my pocket, soot and stubbles, too.
I am going to the Palace that you had wanted to.
With fowls on every awning and stoats in the street,
I am the chaud-medley of a thousand rounds of squeak.
There's a pall in the market, talk in the launderette,
the Mayor makes provision, the Tusks are taking bets
and business bustles for poisoners and cats
where any sensible woman keeps a gun under her hat
and maybe we're a vermin or just a casual guest
that makes a social visit to your everyday unrest
but Endeavor is a crown sparkling in the sun,
Love shall wear it shining and Mice shall wear it dun
so prepare, you foolish people, in your hopeless kingdom
for the reft and raving sea on which the little Mice will come
among the Astors, the Jones and the guttersnipes
under the baseboards and in through the pipes,
amok in the storeroom and up to the Gates
to ask a simple question at a Mouse’s rates:
Who has the King's bubo to make the Palace pay?
Like nephews and nightshade, we're kindly run away
when thimbles of cheddar cheese are lowered from the wall.
We dreamed our whole world with no other arsenal.
The Sea of Everyplace Else
I know the empire will end, but today, lying abed
I am perfectly convinced it will not be during my life.
I am not indifferent to death. I am expected.
My slaves wave their arms to speak, I am unfaithful to my wife.
Wishfulness is a vice against God; my poets wish.
All in this world is in abundance, joy and pain.
When will the store of these vanish?
Why should I care of them again?
The transport on perfume, the Merveilleuses,
the epimethean gardens of the lotos,
the public mutilations and the fastuous jewelry,
where to sleep, what dearth possess
to sharpen on innocence my free desire?
If I have nothing to which I am pious,
for the mere fables, I’ll fall in with tempters:
You’re different from others but not from us.
Every departure needs a fortuneteller who
hates himself until he’s a perfect lover. I am not proud.
I am not kind. I have enough money to
buy the death for any in the crowd:
like the equilibrist who walks the gaps
between the cathedrals, the Icehouse and the bars.
Without the town underneath, he'd collapse
in the cathouse cream of its boudoir.
As far from him in every way,
in all the quiet, chthonic places we could meet
after the
venationes
, pale Lucullo, like a stray
brushes the lions beneath the street.
The only world given, for our Apollyon,
is between the Baths and rose hotels;
even if He could be anyone I want
I’d still hear the Sea of Everyplace Else.
The waters from that Sea, miles away,
are brought to our fountains by the aqueducts
under which I have walked at night distrait
with perfect fascinations, but
the consuming worst is the heart’s renewal.
Detach its color, diminish its power
I hear as in a shell the parts of its reversal:
Begin again this self-same hour.
But the bed is soft and I have paid for
the girls from each race, the wine, the scents,
all this, and I can have so much more.
Everything I have been given, I have kept.
Let the Chaldeans come and make out three bands
the wind, too, as my children feast, in their brother’s house,
I have my substance in the cold, virescent land
and the idle hours of the Cross.
The Morphine Fawn
Amazon Review
"This is an astonishing
piece of work. In
today's mumbling,
dumbed-down world
an author that actually
has competent
command of the
language! Amazing...
[The Morphine Fawn is
the] First book I have
sampled in a very long
time that is worth the
price. Bravo!"
— Peter F Walsh,
Amazon Review,
5 Stars
$14.00, 119 pages
The
Morphine
Fawn
is
a
book
that
deftly
interweaves
a
variety
of
traditional
forms
with
free
narratives
that
include
Account
Ledgers,
Patent
Applications,
Rituals
and
Personal
Letters
to
depict
the
boundless
comedy,
cruelty,
excess
and
sorrow
of
Life
in
Festival.
Set
during
the
Anthesteria
,
a
celebration
of
the
opening
of
the
wine
casks
and
the
return
of
the
Dead,
each
love
poem
is
a
visitation
sure
to
both
evoke
and enthrall.
Sample poems follow…